April 6, 2024
It’s not that we learn much of anything rather, we recover or, shall recover anything. Most of our words suffer from this condition: when dreaming in words lacks. A difficult problem once dreaming becomes lost from individual perception. Yet the dream moves under covers.
A word cannot exist without dreaming. Dreaming does not belong solely to the word or the knowledge that governs it. We order words and designate them to mean. Each sentence a death sentence. The sentence produces the impressions of dreaming yet this dreaming is paradoxical, inside-out, or essence.
Consciousness drifts by virtue of the dream of every sentence. This is the consciousness of the sentence by virtue of its structure. Consciousness is not the structure of experience and memory that writing is. Consciousness is another name for dreaming or, another division of the dream’s exponential variation. This consciousness is a proper name of the dream itself.
Consciousness is a produced dreaming, a dream over-produced. It is heavier, slower, and expensive. In order to observe consciousness, consciousness is required thus consciousness is persistently ‘reflectivation’ or reflectividad. Reflectivitate on this or that. All the light spikes of the water’s surface broken – not good enough.
At all times reflectivation continues. You need space to perceive it; the space is the burning result of the predatorial eye or the predication of sight. The sentence: She dreams here. REVISE: She vividly dreams in the roughhewn here. Too much consciousness.
The roughhewn here.
Mass of sheets.
Hold my empty hand.
It doesn’t move.
Hold it from the inside.
animate.
The poem says enough. It even directs and instructs. But how to paint it? It seems every painting is attempting first to paint the position of the inside. I stopped painting for a while which means not touching the paintings I started. It means to take a position before the hand more seriously or at least to respect it.